This week’s fresh listings:

 

This page is to be updated every Tuesday and will contain all the latest Coin, Medal & Token listings for that particular week.

 

 

Most sold coins are now accessible via a new link on the front (index) page category grid.

 

Additions to www.HistoryInCoins.com for week commencing Tuesday 19th May 2026

 

 

WJC-9333: (1) Edward the Confessor : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £185

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9334: (2) Harold II : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £235

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9335: (3) William 1st : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £185

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9336: (4) William II : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £245

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9337: (5) Stephen : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £245

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9338: (6) Henry II : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £235

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9339: (7) Edward II : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £225

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9340: (8) Edward III : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £225

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9341: (9) Henry V : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £175

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9342: (10) Henry VI : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £175

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9343: (11) Edward IV : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £185

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9344: (12) Edward IV : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £185

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9345: (13) Edward V : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £475

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9346: (14) Edward V : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £475

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9347: (15) Richard III : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £475

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9348: (16) Henry VIII : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £295

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9349: (17) Edward VI : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £175

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9350: (18) Edward VI : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £175

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9351: (19) Elizabeth 1st : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £245

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9352: (20) Charles 1st : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £225

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9353: (21) Charles 1st : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £195

Provenance:

From a collection put together over a great many years; dispersed by Spink.

 

WJC-9354: (22) Future Charles II : 1616-38 Silver Simon de Passe Token.  Machine-pressed silver tokens or counters depicting the monarchs of England, issued in sets (thought to be thirty six), composed either of pieces of different monarchs or repetitions of the same type.  Thought to be primarily used as markers or counters "for reckoning and for play".  The dies were very cleverly sunk to give the impression of a hand-engraved silver token.  Some of these counters were executed early in the 1616-38 period by Nicholas Hilliard, jeweller; goldsmith and engraver to Elizabeth 1st and afterwards to James 1st.  In 1617, Hilliard received a patent granting him the monopoly for twelve years of all the engraved portraits of the King and the Royal Family.  He subsequently sold licences to other engravers to execute these counters, one of which was to Simon de Passe and his brother, both of whom excelled in the art of engraving.  This sub-licence to the de Passe brothers was issued late in the reign of James 1st.  Collectively, these tokens are all termed De Passe tokens for convenience.  £145

Provenance:

From a collection put together over a great many years; dispersed by Spink.